Plugin Spotlight: Analog Strings by Output Plugin Spotlight: Moog Multimode Filter Collection by Universal Audio If you have questions, please call 877.DUBSPOT or send us a message. Visit the Logic Pro course page for detailed information on this program here. Logic Pro Level 6: Taking Your EP Global.Logic Pro Level 5: Advanced Composition & Production.Logic Pro Level 4: Sound Design & Instrumentation.Logic Pro Level 2: Completing Your First Track.Logic Pro Level 1: Shake Hands with Logic.This program will help you develop and express your creative voice as an artist while teaching you the skills necessary to create the music you imagine. You’ll also create a remix, enter an active remix competition, score a scene from a feature film, and add music and sound effects to a video game. You’ll begin by creating a series of short sketches which are then developed into a portfolio of arranged and mixed tracks over the course of six levels. You’ll create unique sounds using synthesizers and samplers, and learn how to mix and process those sounds with Logic’s vast array of effects.
In this program, you will develop the technical and creative skills needed to write and arrange music in Logic Pro X. You’ll get a comprehensive overview of the composition process in Logic and create a portfolio that includes a collection of original tracks, a remix entered in an active remix contest, a re-scored scene from a film, and sound effects and music for a video game. Master Logic Pro X with our complete program. Evan also takes us through some of Ultrabeat’s other unique features while demonstrating how to record automation that will control the transition between rhythmic ducking and no ducking to create a more dynamic, evolving sound. That’s where this trick comes in, and it’s simple to build into templates. In some cases, you may want to create a rhythmic ducking effect, even though there are no other instruments that can be used as a sidechain source. The second technique Evan explains how he uses Ultrabeat with the sequencer turned on to create a ghost sidechain source. With this technique, we can have sounds share a particular frequency range, while also creating some interesting rhythmic effects. When mixing, it is crucial to make sure that there is room for all of the other sounds in the mix to achieve clarity and presence.
Evan explains how to use basic sidechaining to quickly duck the levels of a bass part to give the kick drum room to cut through the mix. Expert sound designer Evan Sutton aka Astrolith demonstrates several sidechain compression techniques in Logic Pro.Įxpert sound designer Evan Sutton aka Astrolith explains how compressors work and then demonstrates how to use sidechain compression in Logic Pro to mix sounds.
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